| |
|
8688, curated by Diana Campbell Betancourt, Project 88, Mumbai (group)
| |
|
| |
|
October 2016:
|
| |
|
The Sun Placed In The Abyss, Columbus Museum of Art (group)
|
| |
|
| |
|
September 2016:
|
| |
|
Broadway Billboard: Lisa Oppenheim, Socrates Sculpture Park, Long Island City, NY
|
| |
|
| |
|
June 2016:
|
| |
|
The Language of Things: Material Hi/Stories from the Collection, 21er Haus, Belvedere, Vienna (group)
|
| |
|
| |
|
April 2016:
|
| |
|
Touch the Sky: Art and Astronomy, The Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY (group)
|
| |
|
Analytic Engine, The Approach, London (solo)
|
| |
|
| |
|
February 2016:
|
| |
|
The Green Ray, curated by Andrew Hunt, Wilkinson Gallery, London (group)
|
| |
|
| |
|
January 2016:
|
| |
|
Happy Ending, FRAC Champagne-Ardenne, Reims (group)
|
| |
|
International Rotterdam Film Festival, Rotterdam, The Netherlands
|
| |
|
Gramma, Tanya Bonakdar Gallery, New York (solo)
|
| |
|
LA CAMERA: On the Materiality of Photography, curated by Simone Menegoi, Palazzo De' Toschi, Bologna (group)
|
| |
|
NOW/HERE, curated by Marlies Wirth, FRANZ JOSEFS KAI 3, Vienna, AT (group)
|
| |
|
| |
|
November 2015:
|
| |
|
Photo Poetics, Guggenheim Museum, New York (group)
|
| |
|
Landscapes, Galerie Juliette Jongma, Amsterdam (solo)
|
| |
|
Billboard for Edinburgh: Lisa Oppenheim, Ingleby Gallery, Edinburgh
|
| |
|
| |
|
July 2015:
|
| |
|
Photo-Poetics, Kunsthalle, Deutsche Bank KunstHalle, Berlin (group)
|
| |
|
Eppur Si Muove: Art and Technology, A Shared Sphere, MUDAM, Luxembourg (group)
|
| |
|
| |
|
June 2015:
|
| |
|
Hereditary Language, FRAC Champagne-Ardenne, Reims (solo)
|
| |
|
The day will come when photography revises, part of the Triennial of Photography in Hamburg, Kunstverein in Hamburg, Germany (group)
|
| |
|
wow! Woven? Entering the (sub)Textiles, Künstlerhaus: Halle für Kunst & Medien, Graz (group)
|
| |
|
| |
|
March 2015:
|
| |
|
Light, Paper, Process: Reinventing Photography, The Getty Center, Los Angeles (group)
|
| |
|
| |
|
October 2014:
|
| |
|
Recipient of the AIMIA|AGO Photography Prize, 2014
|
| |
|
Recipient of the Shpilman Internation Prize for Excellence in Photography – The Israel Museum
|
| |
|
Americans in NY 3, Matthew Buckingham, Lisa Oppenheim, Hank Willis Thomas, Galerie Michel Rein, Paris (group)
|
| |
|
| |
|
September 2014:
|
| |
|
New in the Collection, The Israel Museum, Jerusalem (group)
|
| |
|
AIMIA|AGO Photography Prize Exhibition, Art Gallery of Ontario, Toronto (group)
|
| |
|
La Quema, Lulu, Mexico City (solo)
|
| |
|
Forever is Composed of Nows, Kunstverein Hamburg (solo)
|
| |
|
| |
|
July 2014:
|
| |
|
CLEAR, Gagosian Gallery, Beverly Hills (group)
|
| |
|
Lisa Oppenheim: Works 2003-2013, published by Sternberg Press, available now
|
| |
|
| |
|
May 2014:
|
| |
|
Project Space: Nature's Pencil, Sies + Höke, Düsseldorf (solo)
|
| |
|
Constellations, FRAC Nord-Pas de Calais, Dunkirk, France (group)
|
| |
|
| |
|
April 2014:
|
| |
|
Long List, AIMIA|AGO Photography Prize, Toronto
|
| |
|
| |
|
March 2014:
|
| |
|
The Dying of the Light: Film as Medium and Metaphor, MASS MoCA (group)
|
| |
|
From Abigail to Jacob (Works 2004-2014), Grazer Kunstverein (solo)
|
| |
|
| |
|
December 2013:
|
| |
|
House of Vettii, Koenig & Clinton, New York (group)
|
| |
|
| |
|
September 2013:
|
| |
|
New Photography, Museum of Modern Art, New York (group)
|
| |
|
Point de Gaze, Galerie Juliette Jongma, Amsterdam (solo)
|
| |
|
| |
|
May 2013:
|
| |
|
"Elemental Process," Aperture Summer 2013
|
| |
|
Internationale Kurzfilmtage, Oberhausen, Germany (group)
|
| |
|
ICP Triennial 2013, International Center of Photography, New York (group)
|
| |
|
Artist's book Billowing available through Motto distribution and Argobooks
also available at Printed Matter and at the ICP Store
|
| |
|
| |
|
April 2013:
|
| |
|
The Polaroid Years: Instant Photography and Experimentation,
The Frances Lehman Loeb Art Center at Vassar College, Poughkeepsie, New York (group)
|
| |
|
| |
|
March 2013:
|
| |
|
Heaven Blazing Into The Head, The Approach, London (solo)
|
| |
|
The Story Behind, Nogueras Blanchard, Barcelona (group)
|
| |
|
| |
|
January 2013:
|
| |
|
L'apparition des images, Fondation d'entreprise Ricard, Paris (group)
|
| |
|
Specific Collisions, Marianne Boesky Gallery, New York (group)
|
| |
|
Everyone's Camera, Kunstverein Göttingen, Germany (group)
|
| |
|
| |
|
November 2012:
|
| |
|
Vapours And Veils, Klosterfelde, Berlin (solo)
|
| |
|
Gallery Artists Group Show, Harris Lieberman, New York (group)
|
| |
|
Intervention: Lisa Oppenheim, 21er Haus, Vienna (solo)
|
| |
|
| |
|
July 2012:
|
| |
|
A man is walking down the street. At a certain moment, he tries to recall
something, but the recollection escapes him. Automatically, he slows down,
Cristina Guerra, Lisbon (group)
|
| |
|
No Person May Carry a Fish into a Bar, Blum and Poe, Los Angeles (group)
|
| |
|
A revolução tem que seer feita pouco a pouco - Parte 2: As duas metades,
Galerie Raquel Arnaud, São Paulo(group)
|
| |
|
Photorealism, Bishoff Weiss, London (group)
|
| |
|
June 2012:
|
| |
|
Fact Mystic, Galerie Juliette Jongma, Amsterdam (group)
|
| |
|
Cantastoria, Utah Museum of Contemporary Art, Salt Lake City (group)
|
| |
|
Esta Puerta Pide Clavo, Galerie Tatjana Pieters, Ghent (group)
|
| |
|
May 2012:
|
| |
|
Riot, The Frances Young Tang Teaching Museum, Saratoga Springs,
New York (group)
|
| |
|
Equivalents, Harris Lieberman Gallery, New York (solo)
|
| |
|
March 2012:
|
| |
|
High Line Channel: Eyeballing, The High Line, New York (group)
|
| |
|
February 2012:
|
| |
|
On Geometry and Speculation, Parallel Project of Marrakech Biennale,
Ecole Superieure des Arts Visuels de Marrakech, Marrakech (group)
|
| |
|
Recto/Verso, The Approach, London (group)
|
| |
|
Artists' Film Club: Lisa Oppenheim - Double , ICA, London (group)
|
| |
|
Behind The Light, Galeria Pedro Cera, Lisbon (group)
|
| |
|
January 2012:
|
| |
|
Found In Translation, Deutsche Guggenheim, Berlin (group) |
| |
|
KADIST: Pathways into a Collection, Minsheng Art Museum, Shanghai (group)
|